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Many assume that the only place to get well-maintained, highly desirable vintage handbags is at a local boutique. Although most vintage dealers tend to specialize in créme of the crop merchandise, they also charge a hefty premium.
Often the owners of these shops find hidden gems on eBay, jack up the price and resell the items. If you like the thrill of bargain hunting, bypass the markup and get the authentic handbag of your dreams online.
This site makes the hunt as easy as possible. You can browse vintage auctions by brand, style, and color. So get to it, check out the menu above and see what you can dig up!
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VINTAGE LEATHER PURSE WOMENS FLOWER REALLY COOL UNIQUE | ![]() |
0 Bid | US $10.00 | 22m |
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CARTIER AUTHENTIC VINTAGE BROWN RED LEATHER HUGE PURSE | ![]() |
1 Bid | US $189.00 | 1h 35m |
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GUCCI AUTHENTIC WOMENS VINTAGE BLACK LEATHER PURSE | ![]() |
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US $139.00 | 1h 38m |
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vintage black leather coach hardly used if at all | ![]() |
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US $19.99 | 2h 25m |
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Vintage Checkered Leather Womens Purse with Fringe | ![]() |
0 Bid | US $7.99 | 3h 27m |











`Grès: the supreme dressmaker at the top of her form. Completely modern - sexy, romantic without a trace of nostalgia . a feeling for splendour and mystery. Her cuts are dreams of invention . cloth made to move like the extension of a gesture,' observed American Vogue in 1964 of the couturier's couturière. Madame Grès trained as a sculptor, studying painting and sculpture in Paris, and served a three-month apprenticeship with the designer Premet in 1930. She worked under the name `Alix' until 1942 when she adopted her husband's name - he was called Serge Czerefkov, but signed himself Grès. Madame Grès opened her couture house in 1934, which initially consisted of three rooms on rue de Miromesnil, but she soon moved to a three-storey building on avenue Matignon. It was called the house Alix, on the suggestion of her financial backers. When war broke out in 1940 Madame Grès left Paris. She told Vogue in 1984, `During the war I was in the mountains, the Pyrenees, and I made my own dummies with hay, a bit of wood and a tin. I bought fabric from the market and carried on draping clothes.' After the war she re-established herself as Madame Grès instead of her tradename, Alix, and continued to design along the same lines, taking inspiration from Grecian drapes.
`When I'm working on a collection I'm not thinking,' said Romeo Gigli of his divine inspiration in 1989, `it's a spontaneous, chemical thing.'
The creator of some of the century’s most mind-blowing dresses, Bill Gibb’s celtic sensibility, love of craftsmanship and extraordinary colour sense made him a star in the truest sense of the word. ‘It would be hard to imagine anyone less pompous than Bill Gibb,’ said Vogue in 1977 on the eve of his ten-year retrospective at the Albert Hall in London. ‘He wears a broad smile, a long floppy scarf and strange knit bobble hat. Who else would have laughed when Elizabeth Taylor wore one of his dresses back to front on television?’
The description `enfant terrible' has followed Jean Paul Gaultier (the son of two accountants) around for over 20 years. Now nudging 50 years old, Gaultier does 60 daily press-ups and sports cropped peroxide-blond hair.
A romantic and maverick in equal proportions, John Galliano has been living his dream as design director of Christian Dior since 1996.